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Conceptual Music
music that involves
process as its focus
NEW
CD AVAILABLE
Steve Kornicki's new conceptual music CD, Transformations and
Manipulations, is now available from CDbaby.com
(includes music previews and downloadable MP3s). The six
pieces in this collection are process oriented soundscape explorations
for sampled and digitally altered orchestral and instrumental sounds
drawing inspiration from minimalist and ambient textures. These compositions
draw their influences from the process-oriented music of Brian Eno,
William Basinski, Terry Riley, Steve Reich, Tod Dockstader, Phill
Niblock and David Behrman. Tracks from this collection are also soundtracks
to audio-visual pieces by Steve and
Melissa Kornicki. |
MUSIC FOR ELECTRONICALLY
PROCESSED INSTRUMENTS, VOICES
AND SOUNDS
This group of music utilizes
the recording of live instruments, voices or sounds as their source material
with those sounds being manipulated, transformed and processed through
electronic means. The pieces that use mathematical statements as their
title are for the previously mentioned recorded media that have been randomly
layered to produce dense, textural webs of sound. An example of the processes
for these pieces can be found in an excerpt from the program notes for
25 X 8:
25 X 8"
consists of 25 pre-recorded, stereo samples of single tones and intervals
from flute, piccolo, trumpet and horn. Initially, the sample’s
attacks were removed so as to produce a smooth, wave-like sound from
the instruments and were then electronically looped. The samples were
archived onto a single compact disc with the final version of the music
consisting of 8 copies of the CD played on 8 CD players set on shuffle
mode and started in sequenced succession of one another. Thus, the 25
fragments are each heard 8 times throughout the piece, in random order,
producing various textures and combinations. In this setting, the machines
(CD players) determine the order and outcome of the layered sounds.
There can also be a studio version assembled by an audio engineer in
which the single CD is layered in the same manner in a multi-track recorder/mixer.
The studio version is heard on this recording.
| AUDIO - Click title to
listen to MP3 excerpts |
23
x 6
Twenty-three processed classical guitar samples
randomly layered six times (2005) |
22
x 5
Twenty-two processed samples of electric guitar
randomly layered five times (2005) Available
on the Orchestral, Conceptual, and Ensemble Music
CD.
|
25
x 8
Twenty-five processed samples of piccolo, flute,
horn and trumpet randomly layered eight times (2005) Available
on the Orchestral, Conceptual, and Ensemble Music
CD. |
29
x 7
Twenty-nine processed classical guitar samples
randomly layered seven times (2005) Available
on the Orchestral, Conceptual, and Ensemble Music
CD. |
37
x 7
Thirty-seven processed samples of thumb piano
and small xylophone randomly layered seven times (2005)
|
47
x 6
Fourty-seven processed samples of male and female
speech randomly layered six times (2005) |
61
x 5
Sixty-one processed samples of orhestral instruments
randomly layered five times (2005) This piece also exists as the
soundtrack to the DVD, TRANSFIGURATIONS,
a conceptual video by Steve and Melissa Kornicki that has been featured
as an installation at various galleries. |
25
x 5
Twenty-five processed samples of cedar
flute (Native American flute) randomly layered five times (2005)
|
TONAL SHIFT
Processed samples of orchestral instruments (2005) Available
on the Orchestral, Conceptual, and Ensemble Music
CD. |
ALTERED ORCHESTRA #2
Processed samples of orchestral instruments (2005) Available
on the Orchestral, Conceptual, and Ensemble Music
CD. |
MUSIC
FOR ELECTRONICALLY PROCESSED INSTRUMENTS, VOICES AND SOUNDS
These two pieces are the beginning of Steve's work
in altering existing recorded sound.
| AUDIO
- Click title to listen to MP3 excerpts |
TRANSFORMATIONS
For processed and layered samples of instruments and voices
from various classical recordings (1999) |
WINE
GLASS TRANSFORMATIONS
for processed and layered samples of rubbed
and struck crystal, wine glasses (1999)
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MUSIC FOR ELECTRONICS
Steve's early pieces for pre-recorded electronic sounds
| AUDIO
- Click title to listen to MP3 excerpts |
COMPOSITION
FOR SYNTHESIZER 1995
A fast tempo study in layered electronic sounds for Korg
synthesizer and sequencer.
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COMPOSITION
FOR SYNTHESIZER 1991
(full-length) For pre-recorded synthesizer. Recorded on 4-track
cassette tape using an early Roland synthesizer. |
TONAL
CORRELATIONS #2
An electronic piece that progresses gradually
from active and dense material to sustained textures (1991) |
COLLAGE FOR TAPE
RECORDER
Steve's first tape music piece created when he was in his early teens
using two casette decks, homemade synthesizer, oscillator, and phonograph
records (c. 1983) |

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